| (Updated
in May 2003) To
find a longer, more "scientifical" version of this text, click here.
Yes,
I confess, I like a kind of entertainment that is notorious as
one
of the most trivial on earth: Indian movies! Not the few artistic
exceptions that you can see in European cinemas and that sometimes
even win prices (although I've got nothing against them). No,
the
ones that make me shriek with pleasure are "popular" films.
Those products of the biggest film industry in the world where you
get 3 hours full of love, tragic, laughter, fights, death and DANCE.
Yes, a real movie from Bollywood (=Bombay + Hollywood) always contains
the whole, full life. You don't understand Hindi? Well, who does?
OK, about half of all the people on this planet (says my "Teach
yourself Hindi"-Book!). But it's not really necessary. Most
of the stories follow the good-bad and boy-meets-girl pattern,
the
actors don't hold back with expression and most of the time there
is a rather hectic bustle going on which allows every amateur with
a little fantasy to understand what's going on.
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Dance
as a way of telling a story has got a long tradition in India.
Music and dance were always a part of Sanskrit theater. This
tradition has been continued in Indian cinema. Older films
featured classical dance styles and sometimes even Oriental
dancers. In modern productions a very special style has developed
which is primarily entertaining and can decide about the success
of a film.
I
would call it a mixture of baladi, aerobics, Michael Jackson
and folklore. As censorship doesn't allow the actors to kiss
(or worse...!) it is dance that expresses what it's all about.
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Very
obvious pelvis movements are quite common and the overall impression
is not really elegant. But really fast! No wonder: after about 2
or 3 dance steps the scene is cut - no problem for the actors to
hop around like mad. There are also many costume changes through
a dance number.
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Unlike
western film musicals where song and dance are more or less
a part of the story, this effort is not always made in Indian
productions. Just a few seconds ago the lovers were standing
alone by a temple - the next moment they find themselves in
the park of a palace, surrounded by about 30 people who help
them with singing and dancing. The songs comment the story
of the film or give the hero and heroine an opportunity to
confess their love. And if the beautiful young women suddenly
gets into the rain and the wet sari is sticking tightly to
her body - well, there's nothing left to wish for... |
 |
 |
And
dancing is not only a women's thing. Where did you ever see
men who could shake their hips as macho-like and cool as these?
Nearly
every character of a film can get a sing and/or dance scene:
the little girl and the soldier, the modest mother and the
bold brother. |
The
absolute pleasure for me are dance scenes that are taken in the
Swiss mountains (they can't turn them in Cashmere anymore due to
the political problems). Here's a heroine in a colourful saree singing
next to a chalet, there's a couple dancing in the street while a
yellow car of Swiss Mail is passing by...
And
then there comes the fatal moment where the absolutely cracked idea
gets into my mind that I could do this too... Have you ever seen
these stickers "Don't try this at home"? Well, they are
not on the videos! That's why I walked down to my trusted video
shop, some music cassettes in my hand which I bought on my last
trip
to India and looked around for a matching video (in this
case "Bandhan"). After watching the film with pleasure
and nearly having a crush on Salman Khan, I sat down with lots of
paper to try and write down the choreography... It took me 3 hours
(for 5 minutes of dancing!) and a lot of swearing to do it. Why
can't these Indians do anything slowly? If you're involved in any
kind of Indian music or dance, you know what I mean.
Meanwhile
I sorted the thing out and worked on it a bit. I founded a dance
group, the Masala Girls, at two dance shows in 1999 to the immense
pleasure of our audience. And as we will organise another show this
year in November, I decided to give it another go and teach the
girls a second dance (Saajanji Ghar Aaye) for a show in November
2001. Because one thing is clear: it's hard work but a lot of fun.
OK,
now you've read a lot about Indian films and of course you would
like to see one yourself! How to do it? One way is to get to know
people from India/Sri Lanka/Pakistan... They not only keep the Swiss
restaurants and hotels running, they're also nice persons - and
maybe they will lend you a video tape. The other way is to look
around if there's a video shop (maybe also an Indian takeaway) in
your area with Indian tapes.
Have
fun!

The
Masala Girls
Classes for
Indian film dance with MEISSOUN
Screenings of new Indian films in several Swiss cities: www.cinedrome.ch
Information about
Indian films for non-Hindi speakers: www.bollywhat.com
Film and music reviews: www.planetbollywood.com
Book:
Bollywood - Popular Indian Cinema: www.dakinibooks.com
Order CDs and DVDs: www.cdguru.com - www.erosentertainment.com
Sources
and more information:
- Indian
Popular Cinema - K. M. Gokulsing + W. Dissanayake
- Indischer
Dreh (Happy End in Gstaad) - Das Magazin Nr. 38/95 (about Indian
film teams working in the Swiss mountains)
- The
Dream Merchants of Bollywood - N. Kazmi
- Das
Indische Mainstream-Kino Bollywood - University
of Zürich
- "Bollywood
im Alpenrausch" - TV documentary by SF
DRS
- The
making of "Love Marriage" -
Picture
gallery
- Grüezi
Bombay -
Documentary
Pictures:
The
scene shots of Hum Aapke Hain Koun...! and Hum Saath-Saath
Hain are used with the friendly permission of Rajshri
Productions
Picture
of Masala Girls by Ambros Marzetta |